The 83rd Academy Awards
February 28, 2011 1 Comment
Last night saw the annual 83rd Academy Awards crash into a room-full of endangered animals and explode all over a visiting class of schoolchildren. As James Franco and Anne Hathaway took to the stage to punish humanity for Eve’s taste in fruit, the scene was set for a slew of nonsense awards that made the Razzies look hugely original. Thankfully, however, not all of my predictions came true: while Toy Story 3 won best animation, Christian Bale scooped Best Supporting Actor and How To Train Your Dragon was unforgivably overlooked, the Best Director and Best Film awards went to a film that actually deserved them. Here, then, lies a full list of the nominees and respective winnners – or at least as full a list as I could manage at 5 o’clock in the morning. Yes sir, I am a mental person.
The Social Network – Winter’s Bone - The King’s Speech – Black Swan – True Grit – The Fighter – The Kids Are All Right – Toy Story 3 – Inception – 127 Hours
The Oscar which last year went to The Hurt Locker (blah!), this year was awarded to The King’s Speech, an unassuming but deeply incredible movie about overcoming obstacles in the face of one’s duties. While I would have happily seen Black Swan or 127 Hours take home this award – to Nina Sayer’s mirror world or Aron Ralston’s hole respectively – I, unlike most people, can live with The King’s Speech. At least, for example, it didn’t go to The Fighter, True Grit or Inception, becoming in the process a celebration of utter averageness.
Darren Aronofsky – Tom Hooper – David Fincher – Joel & Ethan Coen – David O. Russell
Rather than breaking another taboo, and – say – being awarded to a hermaphrodite (equal opportunities!), this years Best Director once again went hand in hand with Best Film. Tom Hooper may have directed a TV movie, but it was the best, most engaging and outstandingly cinematic TV movie of the year.
James Franco – Colin Firth – Jesse Eisenberg – Javier Bardem – Jeff Bridges
Yes, James Franco can look dehydrated; sure, Jesse Eisenberg can invoke the God of awkwardness; and sure Jeff Bridges can move his chin but only Colin Firth gave a performance worth walking onstage about. Conveying a believable stutter, both technically and emotionally, and following up A Single Man with arguably his most inspiring performance yet, Firth had this one coming. In case you needed more proof, however, he is also the only actor to have not starred in Cursed, Tron: Legacy or Eat Pray Love.
Natalie Portman – Annette Benning – Jennifer Lawrence – Michelle Williams – Nicole Kidman
Natalie Portman trained for almost a year to ensure she convinced as ballet protégée Nina Sayers in Black Swan. She also made V for Vendette which, in my book, means has been a dead cert for years. Sure, each of the other actresses gave mightily depressing performances in their respective vehicles, but Portman was the only one who managed psychotic, turning into a black swan in front of our very eyes. With Julianne Moore sadly snubbed, there was no other choice.
Best Supporting Actor
John Hawkes – Christian Bale – Mark Ruffalo – Geoffrey Rush – Jeremy Renner
Oh Jeeze, with the big four firmly out of the way, it really is all down hill from here. Earned entirely by Geoffrey Rush, Best Supporting Actor was sadly mis-awarded to Batman’s teeth. Thanking everyone he had ever met with the worst in mockney accents, Bale appears to have won for mimicking the mannerisms of another human being – some parrots can do that – while giving one of the least likeable performances of the year.
Best Supporting Actress
Hailee Steinfeld – Melissa Leo – Jacki Weaver – Amy Adams – Helena Bonham Carter
Grabbing two out of five nominations, The Fighter was unfortunately a shoe in for Best Supporting Actress. Going to the entirely convincing mega-bitch Melissa Leo, Helena Bonham Carter was robbed of recognition for what might have been her first sane performance in years. It is telling that Leo’s accomplishment is already outshone by one ill-advised Bible-belt-baiting F-bomb.
Best Original Screenplay
AnotherYear – The Kids Are Alright – The King’s Speech – Inception – The Fighter
Thi is, perhaps, the first ever time I have begrudged The King’s Speech one of its awards. Best Original Screenplay? A film which Tom Hooper, in his acceptance speech for Best Director, attributes to his mother’s attendance of a play and which is based on historical fact? Much more deserving was the beautifully devastating Another Year or the light, yet utterly compelling The Kids Are Alright.
Best Adapted Screenplay
The Social Network – 127 Hours – Toy Story 3 – True Grit – Winter’s Bone
The Social Network was good in an alright kind of way. Yes the opening scene stung with its razor-sharp dialogue, but after that it was all a bit ass-numbing really. 127 Hours, however, took a challenging and confined story and edited the shit out of it until it shone of greatness. Danny Boyle is a genius.
Best Animated Film
The Illusionist – How to Train Your Dragon – Toy Story 3
DreamWorks did some sterling work last year, rejuvenating their flagging Shrek franchise, outshining the much-hyped Despicable Me with the far superior Magamind and blowing every other pixel out of the water with How to Train Your Dragon. Their efforts, as predicted, went unrewarded at this year’s Academy Awards, however, as Pixar’s third Toy Story movie stumbled into the limelight for an award that should have gone to one of its far superior predecessors many moons ago. This was the year of the Dragon!
Best Art Direction
Inception – Alice in Wonderland – The King’s Speech – Harry Potter and the Deathly Hallows: Part I – True Grit
You know what, say what you like about Alice in Wonderland but it was a wonder to behold. While The King’s Speech may have been all period, True Grit may have had a decent costume or two and Inception had a few beats Escher would have been proud of, Alice in Wonderland boasted example after example of glorious design. While I would have liked Harry Potter to win something, you could have done a lot worse than the splendour of Wonderland.
Black Swan – The Social Network - Inception – True Grit – The King’s Speech
Inception? Really? While it may be the best pick of this sorry bunch, this year’s best cinematography – in my opinion – was showcased in Harry Potter and the Deathly Hallows: Part I. Gorgeously shot, and breathing life into endless hillside, old tenements and Daniel Radcliffe’s face, Deathly Hallows: Part I was absolutely gorgeous to behold.
Best Visual Effects
Hereafter – Harry Potter and the Deathly Hallows: Part I – Iron Man 2 – Alice in Wonderland – Inception
I’ll give Inception this one, that scene in which the city folds in half is still absolutely breath-taking. Had it fully utilised its dream setting, however, its deservedness would have been far more striking. Iron Man 2 might have been pretty meh, but the opening tsunami in Hereafter, the opening escape from Privet Drive and Alice’s fall down the rabbit hole were all similarly awe-inspiring. For stand out moment, however, I’d have to give it to Black Swan for that transformation!
Best Original Score
How to Train Your Dragon – Inception – The King’s Speech – 127 Hours – The Social Network
The Social Network? Really? How the Hell did it go? At least Inception‘s bombastic foghorn made it all the way to Top Gear, cropping up in just about every movie trailer since. The real winner, however, was undoubtedly John Powell’s How to Train Your Dragon score, a beautifully elegant, eloquent and uplifting piece of music which fits the action entirely. A mainstay on my playlist ever since, “Forgotten Friendship”, in particularly, is one of the all encompassing, heartfelt and utterly moving scores you will hear all year. Robbed I say!
The Wolfman - Barney’s Version - The Way Back
While I can just about forgive Alice in Wonderland: Oscar winner, there is no way I can accept a now acclaimed The Wolfman, possibly the year’s worst feature film (Airbender was not that bad!). Barney’s Version and The Way Back may not have featured an entirely unconvincing wereworlf, but at least they weren’t completely irredeemable.
So, there you have it: the Academy was wrong…again! Not worth the sleep hangover, there was at least brief evidence of talent onscreen. For a fleeting moment, Billy Crystal took to the stage with personality and the evening’s first and only trio of jokes. May I take this opportunity to congratulate The King’s Speech, and voice my wish that Spielberg next year wins Best Director for Tintin. Tune in next year, and watch as I am wrong again.