October 28, 2014 Leave a comment
26-year-old Ignatius Perrish (Daniel Radcliffe) is having a hard time convincing the local community that he did not rape and murder his beloved girlfriend Merrin (Juno Temple), a task made all the more difficult by the pair of demonic horns that have recently grown out of his temples. Worryingly for Ig, nobody seems particularly surprised to see them, and rather than provoking fear they have the unexpected effect of prompting seemingly uncontrollable outbursts of honesty. At first he is taken aback by everyone’s candour, and shies away from encounters with friends and family for fear of finding out what they truly think of him, but eventually he begins to realise the full potential of his newfound abilities and resolves to use them to find the true perpetrator and finally clear his name once and for all.
Adapted by Joe Hill’s cult novel of the same name, Alexandre Aja’s Horns isn’t the easiest sell. Part crime thriller, part supernatural romance and part Daniel Radcliffe vehicle, it doesn’t know quite what it wants to be, and runs the risk of being not very much at all. It’s rated 15, and rightfully so, but the film never feel as though Aja is making the most of the higher certificate. Supernaturally, the film seems similarly underdeveloped: it’s never exactly clear what the full extent — or indeed the implication — of Ig’s abilities are, while theologically the film and its themes are almost incoherent. In fact, as with The Woman In Black, it works best as a Daniel Radcliffe vehicle, clearly demonstrating just how far the actor has come since his Hogwarts days — even if he remains a pretty unconvincing crier.
Sadly, the rest of the cast isn’t quite as noteworthy. It’s a strange ensemble, unusually lacking in big names and familiar faces. Heather Graham pops up in a small role, but as unexpected and delightful as her cameo is it doesn’t amount to much in the grand scheme of things. For the most part, support comes from Max Minghella as Ig’s best friend and Joe Anderson as his older brother — both of whom may well have had a hand in Merrin’s untimely death. However, while Hill’s book spent arguably too much time exploring the group’s school days Aja’s film essentially glazes over it, meaning that their inter-relationships aren’t nearly as fleshed out as they need to be. Anyone familiar with Juno Temple’s tendency to be the best thing in otherwise unremarkable movies might reasonably expect Merrin to be the exception here, but unusually for the actress her character makes almost no impression whatsoever. She simply isn’t given enough to do.
Aja disappoints too, with an adaptation that doesn’t quite do Hill’s novel the justice it deserves. It’s a funny book, and yet despite the precedent set with his 2010 Piranha reboot the director sadly fails to capture, let alone develop, its sense of humour. Like Piranha, meanwhile, it struggles with what is clearly an insufficient budget. The horns themselves look fine, as does much of the prosthetic work, but whenever CGI is used the effects are nowhere near as convincing. Even the tree house used by Ig and Merrin looks fake, somewhat undermining the (effects-heavy) finale. In contrast, the location used for the town’s timber chute has been beautifully realised and is really quite stunning. Every scene set in its shadow feels grander and more epic, lending one particular set piece more weight and scale than any other.
Ultimately, Horns is flawed but still reasonably good fun. If you’ve already seen The Babadook, and don’t really want to take a chance on Ouija, then it’s a perfectly respectable choice of Halloween film.