Ant-Man (2015)

Ant-ManDespite having resigned first from SHIELD and then been ousted from his own company for trying to protect his Ant-Man tech, Hank Pym (Michael Douglas) hasn’t quite been able to keep others from replicating his Pym Particle. Former protégé Darren Cross (Corey Stoll) has come the closest, with his Yellowjacket suit showing a lot of promise, but Pym is unable to use the original suit to stop him, and unwilling to endanger his daughter Hope (Evangeline Lilly), who is already acting as his eyes and ears on Cross’ staff. Instead he reaches out to Scott Lang (Paul Rudd), a recently released ex-con who is struggling to go straight and still meet the custody payments required to see his own daughter (Abby Ryder Fortson).

Considering that this should be Marvel’s most accessible picture since Iron Man, predating the Marvel Cinematic Universe and having originally been developed by Edgar Wright as a standalone feature, Peyton Reed’s finished film is surprisingly difficult to follow, at least at first. It opens completely out of context, with a flash back to Pym’s last encounter with SHIELD, and expends almost no time or energy establishing characters or story: we are simply supposed to know that that’s Howard Stark (John Slattery) from Iron Man 2 and that’s Agent Carter (Haley Atwell) from Captain America: The First Avenger, and they’re sitting next to Mitchell Clarkson (Martin Donovan) who…nope, I’m still pulling a blank. It’s a strange and stilted scene, and it makes you fear the worst for a film that already had expectations set to low.

Thankfully, however, this confusion is relatively short-lived. Ant-Man is a decidedly simple story, and like the first Iron Man it deals with men in suits battling it out over stolen technology. There are numerous other attempts to tie the narrative into the wider franchise — Lang at one point suggests calling the Avengers, only to later end up doing battle with one of their members — but these cross-overs and convergences feel a lot less incongruous. For the most part its a story of two fathers trying to reconnect with their estranged offspring, and the parallels between these two relationships is what ultimately gives the film its heart. One is told to be the hero his daughter already thinks he is, while the other must decide whether he is ready for his daughter to be the heroine she is both ready and willing to be. Father issues are nothing new to cinema, and particularly not the superhero genre, but Evangeline Lilly and little Abby Ryder Fortson aren’t defined by them.

It helps that the tone is kept relatively light throughout, with Rudd rising to the challenge set by Chris Pratt in last year’s Guardians of the Galaxy, if not quite surpassing him. He’s an incredibly likeable lead, and is able to sell even the most preposterous situation with a wry, disarming smile. Reed ensures that this levity isn’t lost as soon as Rudd puts the Ant-Man helmet on, and most of the set-pieces are as witty and amusing as the exchanges conducted out of costume. It’s nice to see Douglas having such a nice time opposite him, too, in a role even lighter than Liberace in Behind the Candelabra. The real comedy gold, however, is served by Michael Peña, who plays Lang’s former cellmate and current roommate Luis. Ant-Man‘s equivalent of Thor‘s Darcy Lewis, he is as far removed from the usual superheroics as it is possible to get, instead getting sidetracked with superfluous details or spending time saving people he has just incapacitated. His tips, in which he recounts the stories behind each piece of information, have as much energy as many of the fight sequences.

Ant-Man’s biggest success, however, comes in the way that it revitalises the MCU, introducing a new cast of characters and leaving the audience to imagine how they might interact with the established ensemble. It’s a small film, just as Ant-Man is a small hero, but it just might be enough to save Phase Two.



About popcornaddiction
I am a psychology graduate, a News Writer for HeyUGuys/BestforFilm and, most importantly, a hopeless popcorn addict.

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